Lee, Seung-rae. “Chronotope of Roots and Wings: Female Symbolic and Bruja’s Chronicles in Chicana Ecofeminist Poetics.” Modern Studies in English Language & Literature 68.1 (2024): 177-217. This study discusses the poetics of Chicana poets Alma Luz Villanueva and Pat Mora at the intersection of women, nature, and spirituality, and focuses on analyzing women's image by drawing the Chicana-style female symbolic as a foreground. As a subject for shaping the space and discourses of this study, the feminist symbolism of macha, the erotic whole self of lesbian, is connected to Villanueva’s poetics. It explores the spiritual journey of becoming macha performed in the womb of the universe, focusing on a trilogy of coming-of-age narratives, Bloodroot with prominent ecofeminism aesthetics, Mother, May I which combines mythical imagination and autobiographical poetry, and Planet which embodies the vision of the cosmic female community. Second, it discusses the feminist history and location of bruja-curandera as the subject of Chicana's spiritual activism and explores it in connection with Mora's poetics. It explores Mora's trilogy of female poetry, Borders which highlights the existential dilemma of a Mexican-American woman, Chants which closely embodies the legacy of Mesoamerican tradition, and Communion which depicts the ethos of female solidarity. The flight of bruja as a modern goddess into the mythical female universe is the final journey of this study. (Hannam University)
영어초록
Lee, Seung-rae. “Chronotope of Roots and Wings: Female Symbolic and Bruja’s Chronicles in Chicana Ecofeminist Poetics.” Modern Studies in English Language & Literature 68.1 (2024): 177-217. This study discusses the poetics of Chicana poets Alma Luz Villanueva and Pat Mora at the intersection of women, nature, and spirituality, and focuses on analyzing women's image by drawing the Chicana-style female symbolic as a foreground. As a subject for shaping the space and discourses of this study, the feminist symbolism of macha, the erotic whole self of lesbian, is connected to Villanueva’s poetics. It explores the spiritual journey of becoming macha performed in the womb of the universe, focusing on a trilogy of coming-of-age narratives, Bloodroot with prominent ecofeminism aesthetics, Mother, May I which combines mythical imagination and autobiographical poetry, and Planet which embodies the vision of the cosmic female community. Second, it discusses the feminist history and location of bruja-curandera as the subject of Chicana's spiritual activism and explores it in connection with Mora's poetics. It explores Mora's trilogy of female poetry, Borders which highlights the existential dilemma of a Mexican-American woman, Chants which closely embodies the legacy of Mesoamerican tradition, and Communion which depicts the ethos of female solidarity. The flight of bruja as a modern goddess into the mythical female universe is the final journey of this study. (Hannam University)
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