This study examines the correspondence aspects of ‘mal(語)-pattern’ and direction of change of tonal system in the Korean tone dialects.
The correspondence aspects of the surface tonal patterns of ‘mal(語)-class’ in middle Korean and several modern tone dialects are may be summarized as follows.
After considering the aspects, we can realize the fact that there is a tendency for ‘mal(語)-pattern’ to be integrated into ‘mal(斗)-pattern’ or ‘mal(馬)-pattern’ in Korean tonology. The ‘mal(語)-pattern’ [HLLL] of Yukjin dialects is the result of the change ‘[RLLL]>[HLLL]’. And ‘mal(語)-pattern’ [HHLL] of the young generation of Daegu dialect is the the result of the change ‘[RHLL]>[HHLL]’. Both [HLLL] and [HHLL] are ‘mal(斗)-pattern’ in those dialects. On the other hand, [LHLL] of Jinju dialect is ‘mal(馬)-pattern’.
At the pitch system level, this integrating phenomenon of ‘mal(語)-class’ is the process in which ‘rising’ or ‘lowest’ pitch extinct because of their articulatory difficulties. And at complexity class of tonal system, this phenomenon implicate that three-tonal patterns system of Korean tonal dialects changes to two-tonal patterns systems, and ultimately these dialects are changing to non-tone language.
영어초록
This study examines the correspondence aspects of ‘mal(語)-pattern’ and direction of change of tonal system in the Korean tone dialects.
The correspondence aspects of the surface tonal patterns of ‘mal(語)-class’ in middle Korean and several modern tone dialects are may be summarized as follows.
After considering the aspects, we can realize the fact that there is a tendency for ‘mal(語)-pattern’ to be integrated into ‘mal(斗)-pattern’ or ‘mal(馬)-pattern’ in Korean tonology. The ‘mal(語)-pattern’ [HLLL] of Yukjin dialects is the result of the change ‘[RLLL]>[HLLL]’. And ‘mal(語)-pattern’ [HHLL] of the young generation of Daegu dialect is the the result of the change ‘[RHLL]>[HHLL]’. Both [HLLL] and [HHLL] are ‘mal(斗)-pattern’ in those dialects. On the other hand, [LHLL] of Jinju dialect is ‘mal(馬)-pattern’.
At the pitch system level, this integrating phenomenon of ‘mal(語)-class’ is the process in which ‘rising’ or ‘lowest’ pitch extinct because of their articulatory difficulties. And at complexity class of tonal system, this phenomenon implicate that three-tonal patterns system of Korean tonal dialects changes to two-tonal patterns systems, and ultimately these dialects are changing to non-tone language.
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