판소리에 나타난 하층여성의 삶과 그 문학적 형상 : <변강쇠가>의 여주인공 ‘옹녀’를 중심으로

서지정보

· 발행기관 : 한국구비문학회
· 수록지 정보 : 구비문학연구 / 9호
· 저자명 : 정출헌

목차

1. 논의의 단서
2. 판소리문학에서의 하층 여성, 그리고 옹녀의 두 얼굴
3. 하층 여성의 기구한 인생유전과 옹녀의 경우
4. 옹녀의 인생유전에 대한 시각과 그 형상화
5. 논의의 마무리

초록

이년의 마음씨는 놀보보다 더 독하여, 낭자하고 긴 담뱃대를 물고 안중문에 비껴서서 시종(始終)을 구경타가 흥보가 나간 것을 보고 제 서방을 나무라, “저러한 떼군놈을 단단히 쳐야 다시는 안 올텐데, 어떻게 때렸길래 여상(如常)으로 걸어가네. 계집은 잘 잡죄지. 다리칼 공알주먹 하면서도 동생은 우애하여 사정을 보았구만.”

흥부가 양식 구걸하러 찾아갔다 놀부에게 ‘단단하고 손잡이 좋은’ 몽둥이로 흠씬 두들겨 맞고 쫓겨나가는 광경을 지켜보던 놀부 처의 태도다. 참으로 피도 눈물도 없는 독한 여자라 할 만하다. 하지만, 이런 태도는 나은 편이다.

영어초록

In the literature of Pansori(판소리), lots of women can be seen but most of them are lower classes. Especially in contrast with the dishonest males, females are portrayed constantly honest. But Ongnyu(옹녀), the heroine of Pyunkangsoi-ka(변강쇠가) is a very interesting character distinguishing from other affirmative portrayed females. Because it's not depicted only for positive point of view. Rather than a negative point of view is prevailing. One way she is portrayed as a licentious woman craving for passion, the other way she is as a powerless womanfolk.
It's not for sure why it is portrayed twofold. While, in the late 19 century, Shin, jae-hyo(신재효) remade Pyunkangsoi-ka, he seemed to raise it as a licentiousness. We cannot confirm its above reason. Because now Pyunkangsoi-ka remade by Shin, jae-hyo is left over only, not an original one. However there are lots of plausible proofs for why it's been true that Shin, jae-hyo‘s remakes makes it. First, Shin, jae-hyo is a man who has corrected many things of them while remaking Pansori six works. Second, the appreciation review about Pyunkangsoi-ka before remaking is different from the remade Pyunkangsoi-ka by Shin, jae-hyo.
And then why Shin, jae-hyo bring Ongnyu into relief as a licentious woman? It is as follows. First, Ongnyu is a kind of woman newly born in a urban atmosphere. Second, the negative point of view about those women deserves Ongnyu special emphasis as a licentiousness. Finally, the negative aspect of Ongnyu is a collaboration of a newly urban atmosphere and the class of Pansori who regard them as a threat to an existing govern system. We, however, can read a man-centered medieval govern system is seemed to be decayed from a condemnation about the negative configuration for Ongnyu.

참고자료

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