The decisive moment in digital photography’ From Henri Cartier Bresson to Loratta Lux (디지털포토그라피와 아날로그포토그라피)

소개

Digital VS Analog photography

Henri Cartier Bresson 과 Loratta Lux의 작품을 케이스 스터디하여
디지털포토그라피와 아날로그 포토그라피에 대해서 논의해본다.
현대문명과 함꼐 발달된 디지털산업으로 어느선까지가 까지가 사진학의 범위안에 사진으로 인정이 되고 인정이 되지 않는것인지 스터디해본다.

목차

1. Introduction
2. Analysis and compare both Analogue and digital photography
3. Discuss about analogue photography and do Case study on Henry Cartier Bresson and his work.
4. Discuss about digital photography Case study on Loretta Lux and her work
5. Conclusion
6. Bibliography

본문내용

Introduction
Nowadays, Digital technologies are gradually replacing the analogue technologies such as digital cameras replacing analogue cameras, digital television replacing analogue television and more. Throughout the 1980s and early1990s, artists, scientists, and photographers used high-end computer systems not available to the general public to create digital images. However, in 2003, when the sales of digital cameras in United States exceeded those films cameras, the digital photography become stands poised to replace its film-based predecessor and this represents more than just another stage in Photography’s evolution. Before Photography, the coexistence of separate domains was taken for granted. Paintings showed angels or demons interacting with humans, for examples, as a routine matter… and that’s one of the main reasons why they have been so significant in the history of the imagination. Photography seemed to be something quite different, at the beginning;

참고자료

· Walker, I (2002). City gorged with dreams: surrealism and documentary photography in interwar Paris, Manchester university
· Oliver, V, An advanced guide to digital photography, Ava publishing SA
· Sire, A (2006), An inner silence: The portraits of Henri Cartier-Bresson, London, Thames & Hudson
· Grubb, N (2005), Loretta Lux, New York, Aperture foundation
· Barthes, R (1980), Camera Lucida: Reflections on photography, trans. Richard Howard, London: Vintage 1993
· Brenton, J (2003), The man, the image and the world, London, Thames & Hudson
· Hartwig, Robert L (2000), Basic media technology: Digital and Analog, USA, Butterworth-Heinemann
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· Huggins, B & Probert, I (2004), Surreal Digital Photography, England, Ilex press limited
· Lipkin, J (2005), Photography reborn: Image making in the digital era, New York, Abrams Studio
· Freeman, M (2001), Digital Photography, London, Thames & Hudson
· Hawarth, S (2005), Singular images: Essays on remarkable Photographs, London, Tate trustees
· Sire, A (2006), Scrapbook: photographs, 1932-1946, London, Thames & Hudson
· Reuel, G (2008) Masters of photography: a complete guide to the greatest artists of the photographic age, London, Carlton Books Ltd
· Leonard, Z (2007), Analogue, USA, Mit Press Ltd
· Varis, L (2001), Digital photography for graphic designers: from photo shoot to image output, USA, Rockport
· Francine Prose http://www.aperture.org/store/books-detail.aspx?id=438
· Digital VS Analog photography http://www.batchphoto.com/articles/digital-photography.html
· http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/03/12/bflux12.xml
· Susan Stamberg, The Photography of Henri Cartier-Bresson : Master of the Viewfinder Had Perfect Historical Timing http://www.npr.org/templates/story/story.php?storyId=1318621
· Figure1, Paris, 1992 http://www.skjstudio.com/franck/images/Bresson.jpg
· Figure 2, The decisive moment http://paulturounetblog.files.wordpress.com/2007/08/henri-cartier-bresson04.jpg
· Figure 3, The hush, 1999 http://ringthebell.blogspot.com/2005_10_01_archive.html
· Figure 4, Isabella 2001 http://www.bigredandshiny.com/issues/issue06/pix/article/(hide)SLOAT_LORETTA_LUX_3171429_01.jpg